Adapting Forex Strategies To Taiwanese Economic Trends – A pilot study on reproduction and sustainable development under craft promotion: Taking weaving in Taiwan as an example

How Design Technology Improves Sustainability of Intangible Cultural Heritage Products: A Practical Study on Bamboo Basketry Craft

Adapting Forex Strategies To Taiwanese Economic Trends

Adapting Forex Strategies To Taiwanese Economic Trends

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Taiwanese Businesses And Investors Must Weigh Foreign Direct Investment Considerations

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China Is Moving To Tighten Label Rules On Goods From Taiwan

Jianping Huang Jianping Huang Scilit Google Scholar 1, Yuheng Tao Yuheng Tao Scilit Google Scholar 2, Minghong Shi Minghong Shi Skillit Google Scholar 2, 3, * and Jun Wu Jun Wu Skillit via Google Scholar. Scholar 4

Received: 15 August 2022 / Revised: 28 September 2022 / Accepted: 28 September 2022 / Published: 3 October 2022

With its importance in improving and developing local design culture as well as complementing global design history, this article explores Taiwan’s design history from around 1960 to 2020 based on the development of the theme to study the past and the future. Describes clear prediction. , diversity, and sustainability. In this research, Python programming language is used to implement three algorithms of Term Frequency-Inverse Document Frequency (TF-IDF), Simpson Diversity Index (SDI), and Latent Dirichlet Allocation (LDA) to conduct a text search of design journals. is done The results show the following: in the 1960s–1980s, on digital design, multiculturalism, and design aesthetics in the 1990s, and on emotional human factors, intelligent technology, evaluation strategies, technological practices, and foreign cultures’. The development of themes centered on, and local culture since the beginning of the 21st century. Local culture and intelligent technology are the main driving forces of the current design industry. With respect to diversity, after a period of rapid change and steady growth, it has shown a downward trend in recent years. This indicates that the current design needs to be stimulated by external environmental variations. Stability focused on technology, markets, and education during the 1960s–1980s; on consumers, design education, and eco-design during the 1990s; and on integration across regions during 2000-2020. In order to get a comprehensive view of the complete design context of Chinese culture, the results reflect the current and future trends of the academic community, in addition to a reference for the study of design history of other regions of the world.

Adapting Forex Strategies To Taiwanese Economic Trends

With the shift in global design in the 1960s, modern design quickly transformed into postmodern design [1]. At the time, both industrial and academic circles questioned emerging modernism in the early 20th century, as well as functionalist and rational design concepts upheld by modernists, such as “form follows function”, which was considered key. . Reason for failure of modern urban development [2]. Such questions and opposition gradually resulted in the formation of a more independent value that divided the cultural field, a type of intellectual rationalism, moral cynicism, and emotional hedonism, and a form-limiting theory that rejected modernism. . However, Zhou (2018) pointed out that it was essentially a continuation and development of modernism, i.e., a postmodern period characterized by “diversity” [3]. In such a context of heritage and change, it can be seen that the 1960s represented a critical transition period for modern design, marking the shift from rational design to emotional design, as well as from post-modernism. to modernity.

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In Globalization and Culture, while the concept of globalization dominated enthusiasm in the 1990s as a perspective, following the Great Recession of 2008, the worsening of the Covid-19 pandemic and the intensification of cultural conflicts between nations and ethnic groups , skepticism all around. Globalization has become widespread [4]. Therefore, the concepts of globalization and glocalization are a means to understand an increasingly complex reality [4]. Studies have pointed out that the problematic nature of global–local relations has emerged as a key research theme [ 4 , 5 , 6 ]. In the era of integration and globalization, it is of importance not only in the study of local development paths, but also in the development methods of local cultures. In addition, it also introduces a more diverse global culture, which can subsequently alleviate conflicts and promote global cultural integration and development.

With greater attraction to globalization, other topics related to globalization have emerged, for example, the nature of global strategy in the issue of climate change [7]. The Covid-19 pandemic has heightened the importance of global strategies for sustainable development [8, 9]. ‘The Hanover Principle’ noted: The characteristics of sustainable globalization give rise to interdependence among the human system, industry and environment [10]. Therefore, the question of how to achieve sustainable development in resource-based sectors is also a concern of governments [11, 12, 13]. However, design plays key roles in sustainability [14, 15]. Since the 1960s, sustainable design has been considered a discussion of the ‘ethics of design’ from McDonough’s ‘Cradle to Cradle: Remaking the Way We Make Things’ and McDonough’s green economy concept of ‘green design, universal design, friendly environment’. can Broad sense [10, 16]. Following the rapid industrialization of many countries in Asia, the resulting rapidly increasing levels of water, air, and land pollution have raised concerns about the unsustainability of current development patterns [ 17 ]. It is important to explore the development path of sustainable design in Asia and provide a reference for other regions of the world to strengthen their knowledge of environmental responsibilities in a regional and even global sense.

Asia’s design has achieved a key role [18, 19]. However, design cultures are varied and interconnected across Asia [20]. In an era of globalization, how do designers find a balance between local culture and international ideological trends, and create their own unique expression of visual language? How will the design context of Chinese culture serve as a key part of the development of Asian culture in the future? However, the current construction of modern design history mainly focuses on recording the development of Western modern design, while Chinese culture and even all Asian regions are almost in a subordinate position [21]. Design history, as a discipline, was based on assumptions about what design is and how we studied design in the past, and we should not ignore the dynamic crossing of boundaries of disciplinary knowledge. Thus, new topics should be added to existing design research, such as design research involving Asia, Africa and other regions [22]. Current research into the history of modern design against the background of Eastern culture is still limited, and not enough to create a complete modern design history with regional cultural characteristics. Therefore, with the increasingly serious trend of global cultural homogenization, strengthen design history research from the perspective of Eastern culture by organizing the context of Eastern history and culture development, and exploring the relationship between social background and design development. There is positive significance to doing. .

As one of the centers of Chinese cultural heritage, Taiwan also existed in an important period for the early development of modern design in the 1960s [21, 23]. Since the 1960s, Taiwan’s design industry has undergone original equipment manufacturer (OEM), original design manufacturer (ODM), and original brand manufacturer (OBM) processes. These three phases are not only a sign of the times, but also represent the transformation of design thinking, the development of creative tools, and the evolution of technical styles [24]. Taiwan’s cultural diversity and diversity offers a potential application in the field of design; Especially since designing local features into products seems more and more important for the global market, cultural features are considered unique features added to a product to enhance its identity in the global market and for a better personalized user experience. can go [25]. In addition, since Taiwan is generally a resource-limited region, experts have noted that exploring Taiwan’s sustainable development trend has indicative significance for globalization [ 26 , 27 , 28 ].

Is China’s High Growth Era Over

With the development of the discipline, literature has become an important source

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